Maybe it’s an oversimplification to say that that’s the purestįorm of the ideology that was bequeathed from Richard Wagner to Nietzsche to Adolf Hitler, but not by much. Goyer) simply pushes the Batman legend to its logical extreme, as a vision of human history understood asĪ struggle between superior individual wills, a tale of symbolic heroism and sacrifice set against the hopeless corruption of society. Screenplay (co-written with his brother, Jonathan Nolan, and based on a story developed with David S. It’s no exaggeration to say that the “Dark Knight” universe is fascistic (and I’m not name-calling or claiming that Nolan has Nazi sympathies). Whose title calls the Batman movie “an evil masterpiece,” and who writes: For instance, here’s Salon’s Andrew O’Hehir, Themes in a major summer movie has inspired extraordinary overreactions from ideologically-inclined movie writers. And it’s a testament to how rarely one sees that political tilt in American cinema, I suspect, that the mere existence of conservative Really think the saga’s rightward political tilt can be denied. Some of the conservative attempts to claim 2008’s “The Dark Knight” as a brief for the Bush-era War on Terror were overdrawn,īut after watching the final movie’s faux-revolutionary villain appropriate the themes and exploit the grievances of the Occupy Wall Street movement in order to launch a 21st century Reign of Terror, I don’t In addition to effectively exploring the anxieties of a civilization threatened more by nihilists and world-burners than by traditional geopolitical rivals, Christopher Nolan’s Batman trilogy is notable for being much more explicitly right-wing than almost any Hollywood blockbuster of recent memory.
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